Fuente: Hiroshi Sugimoto, Catalogue designed by Takaaki Matsumoto; Hatje Cantz Verlag; 2012
Fotografía: Hiroshi Sugimoto
Early twentieth-century modernism was a watershed moment in cultural history, a stripping away of superfluous decoration. The spread of democracy and the innovations of the Machine Age swept aside the ostentation that heretofore had been a signifier of power and wealth.
I set out to trace the beginnings of modernism via architecture. Pushing out my old large-format camera’s focal length to twice-infinity -with no stops on the bellows rail, the view through the lens was an utter blur- I discovered that superlative architecture survives the onslaught of blurred photography. Thus I began erosion-testing architecture for durability, melting away many of the buildings in the process.
Barragán house, 2002
AEG Turbine Factory, 2000
Monumento ai Caduti, 1998
Chrysler Building, 1997
Seagram Building, 1997
Guggenheim Museum, New York, 1997
World Trade Center, 1997
Church of the Light, 1997
Saint Benedict Chapel, 2000
S. C. Johnson Building, 2001
Einstein Tower, 200
United Nations Headquarters, 1997
Farnsworth House, 2001
German Pavilion, 1998
Egerstrom House, 2002
Eiffel Tower, 1998
Casa Batlló, 1998
Brooklyn Bridge, 2001
Esta entrada aparece primero en HIC Arquitectura http://hicarquitectura.com/2016/05/hiroshi-sugimoto-architecture-1997-2002/
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